The French soprano Suzanne Jerosme has explored a broad repertoire, performing varied roles such as Poppea in L'incoronazione di Poppea, Blanche de la Force in Dialogues des Carmélites, Zerlina in Don Giovanni, Manon in Massenet's eponymous opera, Susanna in Le Nozze di Figaro, Bellezza in Haendel's Il Trionfo del Tempo e del Disinganno, the title role in La Calisto, Lauretta in Gianni Schicchi or Despina in Così fan tutte. She has also portrayed Bellezza in Haendel's Il Trionfo del Tempo e del Disinganno, the title role in La Calisto, Helena in Britten's A Midsummer Night's Dream, the Contessa di Folleville in Il Viaggio a Reims…

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New Album

At a time when women had little space in musical creation, composers Camilla de Rossi and Maria Margherita Grimani wrote astonishing works, full of emotion and virtuosity. Preserved for centuries in the archives of the Austrian National Library, their music is brought back to life today through the luminous voice of Suzanne Jerosme and the wonderful Il Gusto Barocco conducted by Jörg Halubek.
The album brings together some of the most beautiful pages of these composers alongside arias by Alessandro Scarlatti, a great master of the Italian oratorio. Together, they paint a rich, sensitive, and captivating portrait of Baroque Vienna.

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*Athalia,* Handel

“Suzanne Jerosme portrayed an Athalia who was both regal and vulnerable, shaped with full awareness of the relationship between word and sound. Even in concert form, her stage presence was magnetic: a voice that was soft yet penetrating, impeccable diction, and a rare sense of theatre. In the famous fury aria “My Vengeance awakes me,” she impressed with her technical control and clarity of intent: the coloratura passages were agile but always at the service of the drama, never mere displays of virtuosity for their own sake. In the more introspective moments, her tone became velvety, her legato flowed effortlessly, and every linguistic inflection was crafted with musical intelligence and sensitivity to the meaning of the text.”
30 Ottobre 2025, Connessi all'Opera

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Carlo il Calvo, Porpora

Armonia Atenea, George Petrou

Bayreuth Baroque Opera Festival

2025/2026

*Athalia,* Handel

**Amsterdam Baroque Orchestra**
**Ton Koopman** Musical direction
**Tour Netherlands Switzerland Italy**

Tickets

*Il trionfo del Tempo e del Disinganno,* Handel

**Orfeus Barock Stockholm**
**Julio Caballero Pérez** Musical direction
**Konserthuset Stockholm**

Tickets

*Il Tamerlano,* Vivaldi

***Les Accents***
***Thibault Noally*** Musical direction
***Théâtre des Champs-Élysées***

Tickets

*Krönungsmesse,* Mozart

**Ton Koopman** Musical direction
**Teatro Comunale di Bologna**

Tickets

*Il Tamerlano,* Vivaldi

**Les Accents**
**Thibault Noally** Musical direction
**Auditorio Nacional**

Tickets

*Rinaldo,* Handel

**Deutsche Händel-Solisten**
**Rinaldo Alessandrini** Musical direction
**Internationale Händel-Festspiele**

Tickets

*Les Leçons de Ténèbres,* Couperin

**Les Talens Lyriques**
**Christophe Rousset** Musical direction
**Tour in France and Norway**

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*Dialogues des Carmélites,* Poulenc

**Badische Staatskapelle**
**Johannes Willig** Musical direction
**Badisches Staatstheater Karlsruhe**

Tickets

*Stabat Mater,* Pergolese

**Accademia Bizantina**
**Ottavio Dantone** Musical direction
**Auditorium Giovanni Agnelli, Torino**

Tickets

*La Favorite,* Donizetti

**WDR Funkhausorchester**
**Antonino Fogliani** Musical direction
**Konzerthaus Dortmund**

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*Judas Maccabaeus,* Handel

**Vocalensemble Rastatt**
**Holger Speck** Musical direction
**Händel-Festspiele Halle**

Tickets

*Didone abbandonata*
Niccolò Jommelli

**Freiburg Baroque Orchestra**
**Francesco Corti** Musical direction

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*Il trionfo del Tempo e del Disinganno* Handel

**Le Banquet Céleste**
**Simon Proust** Musical direction
**Festival de Beaune**

Tickets

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